11.06. - 27.09.2020
"Fairy-tale beauty and the associations a person lives through during his development"
was an artist of the universe and a colour shaman. Naive art as a
phenomenon irritated him.
Simson graduated from the Estonian State Art Institute in
Architecture in 1970. However, he did not realise himself as an
architect, but as a painter and an inventor. From early 1970s, Simson
earned living by making portraits of children at kindergartens. In
total, he made thousands of portraits over several decades.
It is difficult to view Kaljo Simson’s life separately from his creative work. His works did not fit into the mainstream Soviet Estonian art or the adapted western art, that is, alternative art.
Simson looked for ideals elsewhere – the universe, and the
perfection of skills and striving for fairy-tale beauty became his
criteria. The art of the universe was reflected at its best in his
philosophical series Profile
of the Eye,
of which nearly all works are displayed in the Kondas Centre.
This exhibition introduces the extraordinary life, the underrated works and the estranging artist’s position of Kaljo Simson, and seeks to get rid of quite a few stereotypical attitudes of the 1950s–1980s approach to art in Estonia.
The exhibition was supported by the Estonian Cultural Endowment.
Kondas Centre is grateful to Helena Trei, daughter of Kaljo Simson.
Cure for Strawberry Mania by Kairo
"Metaphysical Viljandi". Paintings by Hanno Härm
Härm (1952) is one of the most interesting among Viljandi artists.
The works gathered to the exhibition are mostly from private
collections and they depict silence: the town is deserted, even the
sun is not shining, the wind is not blowing, the snow is not melting.
This dreamlike state recently became a reality in both Viljandi and
other cities, but the frozenness in Härm’s paintings lacks the
premonition or the reverberation of a catastrophe. “There’s a
still life, a beautiful natural moment, wonderful sky in a good dream
– everything is beautiful except what was created by man – the
technology,” the author has said, describing the magic realism of
the world of his paintings.
The exhibition also presents a selection of railway pictures by Hanno Härm. These paintings make up the most intriguing part of his work. His earliest pictures of railways without trains date from the 1970s already, and they required thorough knowledge and precise calculation skills. The artist has equipped some of these with a system, which, when activated, turn on signalling on the painting. As red lights turn on, everything is closed, and silence prevails.